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What is in these drinks, how they are made, and how to choose. Written by people who buy the catalog and taste most of it.
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Recipes & Mocktails
Drinks grouped by the bottle they start from, so you can tell before you read whether you can make one tonight.
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Botanical spirit and vermouth, stirred until the glass hurts to hold — the most exposed drink on the shelf, and the one worth getting right.

There is nowhere to hide in a martini. Two ingredients, no citrus, no sugar, no soda — whatever is in the bottle is what is in the glass, magnified by cold. It is the drink that will tell you more about a botanical spirit in one sip than a week of gin and tonics.
Which is why the received wisdom about martinis is the wrong advice here. A classic runs five or six parts spirit to one of vermouth, on the assumption that the gin brings enough weight on its own. A non-alcoholic base does not, so the vermouth stops being a seasoning and starts being structure. Pour it like it matters and you get a drink; pour it like a rumour and you get cold botanical water.
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What we reached for, and what else works. Everything here is in stock — swap freely.
We used Le Petit Beret Natural Botanic Gin. Swap it for any of these.
We used Roots Divino Aperitif Bianco Vermouth. Swap it for any of these.
From your kitchen: lemon twist or olives, ice.
In this glass
Mix & Match: any 2–5 items save 5% · 6–23 save 7% · 24+ save 10%, applied automatically in your cart. Free shipping in the contiguous US, no minimum.
Equal parts spirit and vermouth. Softer, rounder and closer to how martinis were drunk before the twentieth century decided drier meant better. It is the version most non-alcoholic bases actually flatter.
Three to one, and no further. Below that a non-alcoholic base has nothing holding it up and the drink thins out.
15ml of olive brine, shaken rather than stirred. The salt gives the drink weight, which is exactly what it is short of.
A pickled cocktail onion in place of the twist. Sharper, and it suits the more savory botanical bottles.
Orange bitters over the surface before the twist. Two ingredients becomes three, and the drink gains a top note it cannot generate on its own.
Mix spirit and vermouth in the same proportions with a fifth of their volume in water, and keep the bottle in the freezer. It pours cold and correctly diluted with no ice and no stirring.
In a coupe rather than a V-shaped martini glass if you have the choice — the wide, shallow bowl spills less and warms slower in the hand, and a martini is only good while it is cold.
Drink it as an aperitif, before food rather than with it, and drink it quickly. It is not a sipping drink; every minute it sits, it moves further from what it was when you strained it.
Because the base cannot carry the drink alone. In a gin martini the spirit brings body and warmth and the vermouth is a seasoning; take the alcohol out and the vermouth has to supply the weight instead. Two to one is a sensible starting point, and fifty-fifty is worth trying before you decide it is too much.
Stirred, unless you are making it dirty. Shaking aerates the drink and clouds it, and while a gin martini has the alcohol to carry that texture, a non-alcoholic one arrives thin and frothy instead. Thirty seconds of stirring against a full glass of ice is the whole technique.
More than in the original. Cold is doing a share of the work that alcohol does in a gin martini — it tightens the aromatics and gives the drink an edge. A room-temperature glass costs you several degrees in the first thirty seconds, and this is a drink with nothing else to fall back on.
Gin & Botanical
Gin & Botanical
Gin & Botanical
Gin & BotanicalEvery bottle in this recipe is on the shelf.
— The Dry Pour —

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